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The Enigmatic Assassination of J.M. Kariuki: A Legacy of Courage and Controversy

As we usher in the 49th anniversary of J.M. Kariuki's state-sponsored murder, we would do well to remember where  we have come from as a country...because  we are fast headed back there. Josiah Mwangi Kariuki,  renowned for his fearless stance against government corruption and social injustices, met a tragic end in March 1975. His mysterious assassination remains one of the most enigmatic and controversial events in Kenya's history, leaving behind a legacy of courage, controversy, and unanswered questions. Born in 1929, J.M. rose to prominence as a vocal critic of the government of President Jomo Kenyatta. His impassioned speeches and tireless advocacy for the rights of ordinary Kenyans earned him widespread admiration and respect, but also made him a target of powerful forces within the establishment. On the night of 1 March 1975, Kariuki was last seen leaving a nightclub in Nairobi. It would be the last time he was seen alive. In the days that followed, his disappearance sent

Mary J Blige faces lawsuit for stolen song

Mary J. Blige is facing a $2 million federal suit claiming music on her most recent No. 1 album, Growing Pains, was stolen. Producer Theron (NEEF-U) Feemster wrote the music for the song “Work That” but the tune is owned by Dream Family Entertainment Inc., according to a lawsuit filed last Tuesday in Manhattan Federal Court. The court filing claims the New York-based firm never gave Blige, Feemster or Geffen Records, the distributor, rights to use the song.

“Mr. Feemster created the music while he was under contract with Dream Family. Dream Family then owned the music, yet the music was used without permission in a Mary J. Blige release recording,” said Dream lawyer Brian Caplan. “It was released as an album, a single and in a commercial,” Caplan said. Rights to the lyrics of the song - which was featured with Blige in an iPod commercial - are not in question. Caplan said it was unclear if Blige knew the music belonged to someone other than Feemster, and said the producer “had no rights to the music he used.”

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