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There's a Deeper Level to this Conversation: As You Tear At Each Other About Who's Sponsoring the Gen Z Protests, or Even if They're Sponsored at All, Watch These Three Videos and Let Me Know What You Think...

The Legacy of Fear: How the Shadow of Jaramogi Oginga Odinga Shaped Kenya's Political Landscape In the annals of Kenya's political history, the events of 1969 stand out as a defining moment marked by fear, coercion, and manipulation. The political tension surrounding Jaramogi Oginga Odinga's candidature led to a series of oath-taking ceremonies in Gatundu that forever altered the fabric of Kenyan society. Understanding this historical context is crucial, especially when contemporary politicians attempt to invoke these dark chapters for political gain. The Fear of Jaramogi and the Birth of the Gatundu Oath The roots of the infamous Gatundu oath can be traced back to the fear and propaganda surrounding Jaramogi Oginga Odinga, the former vice-president and then-leader of the opposition. By 1969, the political landscape in Kenya was charged with tension. The assassination of Cabinet Minister Tom Mboya on 5th July 1969 had already set a volatile backdrop. Within this context, Pr
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Mary J Blige faces lawsuit for stolen song

Mary J. Blige is facing a $2 million federal suit claiming music on her most recent No. 1 album, Growing Pains, was stolen. Producer Theron (NEEF-U) Feemster wrote the music for the song “Work That” but the tune is owned by Dream Family Entertainment Inc., according to a lawsuit filed last Tuesday in Manhattan Federal Court. The court filing claims the New York-based firm never gave Blige, Feemster or Geffen Records, the distributor, rights to use the song.

“Mr. Feemster created the music while he was under contract with Dream Family. Dream Family then owned the music, yet the music was used without permission in a Mary J. Blige release recording,” said Dream lawyer Brian Caplan. “It was released as an album, a single and in a commercial,” Caplan said. Rights to the lyrics of the song - which was featured with Blige in an iPod commercial - are not in question. Caplan said it was unclear if Blige knew the music belonged to someone other than Feemster, and said the producer “had no rights to the music he used.”
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